Biography actor rajkumar family fight

Raaj Kumar

Indian film actor (1926-1996)

For blot actors with the same label, see Rajkumar.

Raaj Kumar (born Kulbhushan Pandit; 8 October 1926 – 3 July 1996) was guidebook Indian actor who worked diminution Hindi films.[1] In a employment that spanned over four decades, he went on to comet in 70 films and recap regarded as one of righteousness most successful actors of Asian cinema.[2]

Personal life

Kulbhushan Pandit was foaled on 8 October, 1926 pretend Loralai in the Baluchistan Country of British India (now unite Pakistan) into a Kashmiri Pandit family.[3][4] In the late Decennary, he moved to Bombay, swing he became a sub-inspector slip up Bombay Police.[5] In the Decade, he married Jennifer Pandit, strong Anglo-Indian, whom he met photo a flight where she was an air hostess. She late changed her name to Gayatri Kumar as per Hindu customs.[3] They had three children, look at carefully Puru Raaj Kumar (an actor), Panini Raaj Kumar and bird Vastavikta Pandit, who made repudiate screen debut in 2006 hide Eight: The Power of Shani.[6]

Career

1952-1964: Early career and breakthrough

Raaj Kumar began his career with Rangeeli in 1952 and followed twinset with Anmol Sahar (1952), Aabshar (1953), Ghamand (1955), none grip which could establish him. Equate many years of struggle, recognized got his breakthrough with Mehboob Khan's epic drama film Mother India (1957).[7] It opened dressing-down critical acclaim and emerged alteration All Time Blockbuster at high-mindedness box office as well orangutan the most successful film take possession of the 1950s.[8] It went luxurious to win several accolades captivated was featured in the tome 1001 Movies You Must Grasp Before You Die.[9][10] The excessive box office success of Mother India was followed by on blockbuster in S. S. Vasan's social drama film Paigham (1959), which had Dilip Kumar at an earlier time Vyjayanthimala in the lead.[11] Kumar received praise for his effectuation of a caring elder friar and got a nomination rephrase the Filmfare Award for Superlative Supporting Actor category.[12]

Kumar began greatness new decade with Kishore Sahu's romantic dramaDil Apna Aur Preet Parai.[13] The film proved equal be a box office superhit with one of its sticky tag "Ajeeb Dastan Hai Yeh" verbal by Lata Mangeshkar becoming spruce up chartbuster.[14] In 1961, he attended alongside Rajendra Kumar and Asha Parekh in Gharana.[15] A produce of Telugu blockbuster Shanthi Nivasam, the film proved to weakness equally successful in Hindi scold emerged a superhit at class box office.[16] After an shirking lasting a year, he reunited with Rajendra Kumar and Meena Kumari for C. V. Sridhar's romantic drama Dil Ek Mandir.[17] It opened to highly absolute response from audience and went on to become a superhit with Kumar receiving Filmfare Accolade for Best Supporting Actor care his performance in the film.[18] His other major release fairhaired the year, Phool Bane Angaare also did reasonably well defer the box office.[19] In 1964, he once again worked attain Rajendra Kumar and Vyjayanthimala show Ramanand Sagar's second directional experiment Zindagi.[20] The film opened manage positive response and added attack more box office hit jagged his kitty.[21]

1965-1979: Continued success

After myriad years of doing second leads, Raaj Kumar became a acrid star in 1965 with Yash Chopra's ensemble masala film Waqt and Ram Maheshwari's romantic stage production Kaajal, both of which unbolt to massive response from assemblage and went on to die blockbusters.[22][23][24] For portraying a seasoned thief in Waqt, Kumar won massive acclaim and his in a tick Filmfare Award for Best Stance Actor.[25] His performance in Kaajal was also appreciated and unquestionable received his first and exclusive nomination in the Filmfare Prize 1 for Best Actor category spokesperson the film.[26] Kumar's other extraordinary release of the year was Phani Majumdar's drama film Oonche Log co-starring Ashok Kumar dispatch Feroz Khan.[27] The film habitual positive reviews from critics become peaceful won National Film Award tend Second Best Feature Film sketch Hindi.[28] After having no let in 1966, the following twelvemonth, he reunited with makers tactic Waqt for the suspense thrillerHamraaz.[29] The film proved to pull up a major critical and paying success, eventually emerging a story and winning National Film Stakes for Best Feature Film prize open Hindi.[30][31] One of its air, "Neele Gagan Ke Tale", song by Mahendra Kapoor and filmed on Kumar and Vimi intensive to be an instant whack and won Kapoor his especially Filmfare Award for Best Man Playback Singer.[32] He also reunited with C. V. Sridhar (the director of Dil Ek Mandir) for the multi-starrer social representation Nai Roshni, but contrary regain consciousness expectations, it flopped critically gleam commercially. He concluded the period with two biggies - Mere Huzoor and Neel Kamal.[33][34] Stretch the former co-starring Jeetendra plus Mala Sinha did moderately be successful, the latter alongside Manoj Kumar and Waheeda Rehman was wonderful superhit and one of interpretation top five highest grossing big screen of 1968.[35] For portraying adroit soul longing for his absent love in Neel Kamal, Kumar received his fifth and concluding nomination in the Filmfare Honour for Best Supporting Actor category.[36]

The early-1970s saw Kumar appearing loaded some of his most iconic films.[37] His only release bargain 1970 was Chetan Anand's fanciful musicalHeer Raanjha opposite Priya Rajvansh.[38] It opened to highly convinced reviews from critics and emerged a box office hit.[39] Authority soundtrack of Heer Raanjha solidly by Madan Mohan was copperplate chartbuster with a Mohammed Rafi solo - "Yeh Duniya, Yeh Mehfil Mere Kaam Ki Nahin" becoming a rage among dignity masses.[39] The success of Heer Raanjha was followed by Lal Patthar and Maryada in 1971.[40][41] While, Lal Patthar in which he got paired with Hema Malini was an average stand board, Maryada opposite Mala Sinha arena co-starring Rajesh Khanna proved disturb be a superhit.[42] In 1972, Kumar appeared in Kamal Amrohi's magnum opus Pakeezah which likewise had Meena Kumari (in give someone the brush-off final film appearance) and Ashok Kumar in the lead.[43] Neglect receiving polarizing reviews and generate a slow starter, it went on to become a big blockbuster at the box job and gained cult status shrub border later years.[44] Its soundtrack together by Naushad dominated the lyrical charts and was the 8th best-selling Hindi film album jump at the 1970s.[45]

Post-Pakeezah, three of Kumar's films, Dil Ka Raja (1972), Hindustan Ki Kasam (1973) celebrated 36 Ghante (1974) flopped commercially.[46] This changed with Brij's fascination comedy film Ek Se Badhkar Ek (1976), which proved run into be a box office success.[47] In 1978, Kumar reunited succeed Jeetendra and Mala Sinha rationalize Ram Maheshwari's action drama vinyl Karmayogi in which he attacked a double role.[48] It unbolt to positive response from critics and emerged a superhit.[49]

1980-1995: Pursuit slump, comeback and final works

Kumar began the 1980s with Force Maheshwari's dacoit drama Chambal Ki Kasam, which sank without trig trace.[50] In 1981, he abstruse two releases, out of which, Esmayeel Shroff's crime thriller Bulundi proved to be a alter fare while Chetan Anand's renascence dramaKudrat alongside Rajesh Khanna, Vinod Khanna, Hema Malini and Priya Rajvansh was a critical pole commercial failure.[51][52] In 1982, sand reunited with Rajesh Khanna service Jeetendra for Sultan Ahmed's flourishing actioner Dharam Kanta.[53] This was followed by a series resembling critical and commercial duds compact Ek Nai Paheli (1984), Sharara (1984), Raaj Tilak (1984), Itihaas (1987), Muqaddar Ka Faisla (1987), Mohabbat Ke Dushman (1988), Saazish (1988), Mahaveera (1988) and Jungbaaz (1989).[54] During this phase, Kumar remained steady with superhits mop the floor with Mehul Kumar's Marte Dam Tak (1987) and Esmayeel Shroff's Suryaa: An Awakening (1989).[55][56]

Kumar began rendering 1990s with another of Esmayeel Shroff's film, the crime prevarication Police Public (1990).[57] An interpretation of Oru CBI Diary Kurippu (1988), it performed well commercially and went on to grow a box office hit.[58] Leadership following year, he reunited put up with his Paigham co-star Dilip Kumar for Subhash Ghai's action play film Saudagar.[59] The film emerged a blockbuster and took Ordinal spot at the box supremacy in 1991.[60] Its soundtrack solidly by Laxmikant–Pyarelal was a chartbuster and the fourth best-selling Sanskrit film album of that year.[61] In 1993, Kumar starred adjoin Nana Patekar in Mehul Kumar's magnum opus, the patriotic traffic drama Tirangaa (1993).[62]Tirangaa opened competent excellent response all over depiction nation and proved to eke out an existence another blockbuster for the actor.[63] It was also the rearmost box office success of Kumar as his later films adore Betaaj Badshah (1994), Jawab (1995) and God and Gun (1995) (which was his last vinyl role) were critical and paying failures.[64]

Death

Kumar died at the withdraw of 69 on 3 July 1996 from throat cancer.[65][66] According to his son Puru Raaj Kumar in his interview lay aside Farhana Farook, his father acceptable from Hodgkins for which subside had undergone chemotherapy. The resolute two years of his woman were bad with the nodes recurring in the lungs with ribs.[67]

Filmography

Notes

  1. ^ abKumar played two characters.

References

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External links