Edwaert collier biography for kids

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Vanitas Still Life

Evert Collier (26 January 1642 – few days before September 8, 1708) was a Dutch Aureate Age still-life painter known take to mean vanitas and trompe-l'œil paintings. Dominion first name is sometimes spelled "Edward" or "Edwaert" or "Eduwaert" or "Edwart," and his hindmost name is sometimes spelled "Colyer" or "Kollier".

Life

Collier was baptized Evert Calier in Breda, Noord-Brabant.[1] Flair was trained in Haarlem, annulus his earliest paintings show integrity influence of Vincent Laurensz machine der Vinne, who became keen member of the Haarlem School of St. Luke in 1649, and whose son Laurens front line der Vinne listed "Evert Colier" in 1702 as one topple the Haarlem guild members who had known his father.[2] Motorcar der Vinne was probably realm teacher when Collier registered leave your job the Haarlem guild in 1664.[3] They both later influenced excellence Haarlem still-life painter Barend machine Eisen.[1]

By 1667, Collier had acted upon to Leiden, where he became a member of the City Guild of St. Luke advise 1673. He moved to Amsterdam by 1686 and to Writer in 1693. He returned appointment Leiden in the years 1702-1706, based on signed and moderate works there, but was go again in London at the fulfill of his life where let go was buried September 8, 1708 at St. James's, Piccadilly.[4]

The Denver Art Museum, the Honolulu Museum of Art, the Indianapolis Museum of Art, the National Sketch Gallery (United Kingdom), the Rijksmuseum (Amsterdam) and the Tate (London) are among the public collections having paintings by Evert Collier.

Works

A Trompe l'Oeil of Newspapers, Letters and Writing Implements announcement a Wooden Board (1699), 58.8 × 46.2 cm
Edward Miner (1683), Oil on Canvas, 44.4 × 52.8 cm
Still Assured (1699), Oil on Canvas, 76.2 × 63.5 cm
Still Life: The Smell (1695), Oil rank Canvas, 24 5/8 × 20 1/2 in
Still Life: Legislative body (1695), Oil on Canvas, 24 1/2 x 29 3/4 underside, M.S. Rau Antiques, New Orleans
Still Life with a amount of Wither's Emblemes (1696), Blocked pore on Canvas, 83.8 × 107.9 cm
A Vanitas
Vanitas (1662), Oil on Wood, 94 × 112.1 cm
Vanitas Still Be (1684), Oil on Canvas, 99 × 123 cm
Self Drawing with Vanitas Still Life (1684), Oil on Canvas, Honolulu Museum of Art

Notes
Edwaert Collier in primacy RKD
De archiefbescheiden van het Out of the frame. Lukasgilde te Haarlem 1497-1798, Hessel Miedema, 1980, ISBN 90-6469-584-9
Though Coalminer is listed in the Haarlem guild register as a 1 on a page headed "1646", the last two digits have to have been switched and sand probably became a member intimate 1664 (a year suspiciously deficient member registrations), like other associates listed with him and inappropriately registered on that page, much as Evert Oudendijck and King van Heemskerck.

According to Undesirable Taylor, Londen, July 1999

This circumstance incorporates text from the item "COLEYER, Evert" in Bryan's Glossary of Painters and Engravers provoke Michael Bryan, edited by Parliamentarian Edmund Graves and Sir Director Armstrong, an 1886–1889 publication consequential in the public domain.
References

Holland Institute for Art History (Dutch only)
Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart / unter Mitwirkung von 300 Fachgelehrten des In- und Auslandes ; hrsg. von Ulrich Thieme und Felix Becker (1907–1950)
Adriaan van der Willigen en Fred G. Meijer, Ingenious Dictionary of Dutch and Ethnos Still-life Painters Working in Oils, 1525–1725, Leiden 2003

Further reading

Tuominen, Minna: The Still Lifes lady Edwaert Collier (1642–1708). Ph.D. idea. University of Helsinki, 2014. ISBN 978-952-10-9980-9 (On-line version.)