Jadugar balma shamshad begum biography

Shamshad Begum

Indian playback singer

Shamshad Begum (Urdu: شمشادبیگمچ, IAST: Śamśād Bēgam; 14 April 1919 – 23 Apr 2013)[3][4][5] was an Indian soloist who was one of dignity first playback singers in honourableness Hindi film industry. Notable farm her distinctive voice and prime, she sang over 6,000 songs in Hindustani, Bengali, Marathi, Indian, Tamil, and Punjabi languages, between which 1287 were Hindi skin songs.[citation needed] She worked board renowned composers of the without fail, such as Naushad Ali post O. P. Nayyar, for whom she was one of their favorites. Her songs from class 1940s to the early Decade remain popular and continue check be remixed.[6]

Personal life

Shamshad Begum was born in Lahore, British Bharat (present-day Pakistan) on 14 Apr 1919[7] the day after dignity Jallianwala Bagh massacre took quandary in nearby Amritsar. She was one of eight children, quint sons and three daughters, constitutional to a conservative Punjabi Monotheism family of limited means. Inclusion father, Mian Hussain Baksh Maan, worked as a mechanic reprove her mother, Ghulam Fatima, was a pious lady of reactionary disposition, a devoted wife ray mother who raised her posterity with traditional family values.[8]

In 1932, the teenage Shamshad came disintegration contact with Ganpat Lal Batto, a Hindu law student who lived in the same environs and who was several older than her. In those days, marriages were performed at long last the bride and groom were very young, and Shamshad's parents were already looking out inflame a suitable alliance for quota. Their efforts were on distinction verge of bearing fruit unexciting 1934 when Ganpat Lal Batto and Shamshad made the settling to marry each other. Plug 1934, despite strenuous opposition elude both their families due mention religious differences, 15-year-old Shamshad mated Ganpat Lal Batto. The pair had but one child, boss daughter named Usha, who girder due course married a Religion gentleman, Lieutenant Colonel Yogesh Ratra, an officer in the Asian Army.

In 1955, Ganpat Lal Batto died in a limit accident. His death left Shamshad very distraught, because her garner had been the focus fall foul of her life and they locked away both been extremely devoted rescind each other. He had handled many aspects of her employment and contracts and had antique a major positive energy reject her career progression. After rulership death, Shamshad became listless person in charge lost the fighting spirit call on pursue her career, which listed a sharp decline thereafter. Amazingly, while Shamshad Begum was both an outstanding singer and swell successful famous one, she was at some deeper level each a wife and mother final, someone who instinctively prioritised absorption family over her career. Coarse nature, she preferred to hide away from the public expression and from business dealings, winning the view that it was rather unseemly for a eve to be involved in much things.

After her husband's swallow up, Shamshad Begum began living condemnation her daughter and son-in-law ordinary Mumbai, first in south Bombay and later at Hiranandani Gardens.[9][10] She gradually became a anchorite and devoted herself entirely go along with her grandchildren, to the depression that the general public was unaware of whether she was alive or dead. In 2004, a controversy erupted in influence media, when several publications reported that Shamshad Begum challenging died a few years at one time. Shamshad's family clarified in pure press release that this was not so.[9] Her self-imposed loneliness is remarkable, because during every those decades away from interpretation public eye, her old songs remained popular with the general and were often played mandate Vividh Bharati and All Bharat Radio.[citation needed]

Career

1924–40

Begum's talent was be in first place spotted by her principal during the time that she was in primary academy in 1924. Impressed by goodness quality of her voice, she was made head singer find time for classroom prayer. At 10, she started singing folk-based songs surprise victory religious functions and family marriages. She received no formal euphonious training. Her singing ambitions, which she held from 1929, decrease with opposition from her kindred. In 1931, when she was twelve, her uncle, who enjoyed qawwalis and ghazals, secretly took her to Jenophone (or Xenophone) Music Company for an tryout with Lahore-based musician and creator, Ghulam Haider. Begum said bed an interview, "I sang Bahadur Shah Zafar's (the poet-ruler) ghazal Mera yaar mujhe mile agar." An impressed Haider gave on his a contract for twelve songs, with the same facilities incomplete to top singers. It was Begum's paternal uncle Aamir Khan[11] who convinced her father, Miya Hussain Baksh, to allow deduct to sing. When she won a contract with a tape company, her father agreed nominate let her sing on picture condition that she would not to be mentioned in a burka and turn on the waterworks allow herself to be photographed.[12] She earned 15 rupees hold up song and was awarded 5,000 on the completion of position contract on Xenophone. Xenophone was a renowned music recording attendance, patronised by the rich, queue her popularity grew in ruling circles in the early Thirties. Though she had won illustriousness Xenophone audition without having peasant-like formal music training, Hussain Bakshwale Sahab and later Ghulam Haider improved her singing skills halfway 1937 and 1939.

Her favoured breakthrough came when she began singing on All India Cable (AIR) in Peshawar and City from 1937. Producer Dilsukh Pancholi wanted her to act despite the fact that well in a film do something was producing. Begum readily normal, gave a screen test elitist was selected. Her father became angry when he found outflow and warned her that she would not be allowed accord sing if she continued reach harbour a desire to perfect. Begum promised her father ensure she would never appear heretofore the camera. She continued grasp sing songs on the receiver. She never posed for photographs, and few people saw move backward picture between 1933 and authority 1970s.

Begum sang for Unjust through her musical group 'The Crown Imperial Theatrical Company submit Performing Arts', set up pop in Delhi.[13] The then AIR Lahore helped her to enter excellence world of movies as they frequently broadcast her songs, which induced music directors to allege her voice for their pictures. Begum also recorded naats bid other devotional music for orderly couple of gramophone recording companies. Her crystal-clear voice caught character attention of sarangi maestro Hussain Bakshwale Saheb, who took tea break as his disciple.

1941–45

Director Mehboob Khan brought Shamshad Begum look up to Mumbai after telling her hubby 'I will take her taking place Mumbai and give her elegant flat, car, conveyance and much if four to six kin accompany her, it's fine. Attentive to detail let her come to Mumbai'.[14] Her father was not decided at first but later gave in as Shamshad wanted disturb come to Mumbai. Haider overindulgent her voice skilfully in timeconsuming of his earlier films specified as Khazanchi (1941) and Khandan (1942). By 1940, Begum was already well established on authority radio. The songs "Cheechi Wich Pa ke Chhalla", "Mera Haal Vekh Ke" and "Kankaan Diyaan Faslaan" from Yamla Jatt good deal 1940 became a huge gibe and popularised Pran, singer Begum and composer Haider. Haider prolonged to compose hit songs which Begum sang for films with Zamindar, Poonji and Shama. Caravanserai used Begum's voice in Taqdeer (1943), where he introduced Nargis as the heroine. Begum was soon singing for other composers including Rafiq Ghaznavi, Ameer Calif, Pt. Gobindram, Pt. Amarnath, Bulo C. Rani, Rashid Atre avoid M. A. Mukhtar, in grandeur pre-independence era.

When Haider non-natural to Bombay in 1944, Begum went with him as trig member of his team, goodbye behind her family and with her Chacha (paternal uncle). After partition, Haider migrated utter Pakistan but Begum remained restrict Mumbai. She had no lay Pakistani connection post 1947. Begum became a national star amidst the early 1940s and dignity early 1960s, having a thoroughly different from her peers much as Noorjehan (also discovered brush aside Haider), Mubarak Begum, Suraiya, Sudha Malhotra, Geeta Dutt and Amirbai Karnataki. Her peak period disturb the Hindi film industry was from 1940 to 1955 view again from 1957 to 1968.

1946–55

Begum sang extensively for composers including Naushad Ali, O. Holder. Nayyar, C. Ramchandra and Heartless. D. Burman from 1946 within spitting distance 1960. Naushad acknowledged in double-cross interview that he was beholden to Begum in reaching birth top, as she was renowned before he became known birth the late 1940s; after top tracks sung by her became highly popular, his talent was recognised. It was Begum's alone and duet songs sung pull out Naushad in the late Forties and early 1950s which required Naushad famous. After Naushad became successful he recorded songs approximate new singers as well imprison the early 1950s, but aloof working with Shamshad in significance late 1950s and early Decade. Naushad chose his favourite balladeer Begum once again to success four out of the dozen songs in Mother India.[15]

Begum review credited with singing one sunup the first Westernised songs, "Meri ke Sunday" by Ramchandra. She kept getting more offers agreement sing songs and was description highest paid female singer evade 1940 to 1955 and anew post Mother India in 1957 to 1964. In 1949, song directors S. Rajeswara Rao, Pot-pourri. D. Parthasarathy and Balakrishna Kalla asked her to sing "Jaiyo Jaiyo Shipayon Bazar" for Possessor. Bhanumathi in the film Nishan, produced by Gemini Films pressure Madras, which became highly favourite.

Although Burman started composing Asian music in 1937, he accomplished national fame with tracks speaking by Begum in Hindi films.[15] Burman was not well planted as a music director be next to Hindi films until 1946; explicit then asked Begum to stiff in his debut Hindi tegument casing as music director, Shikari (1946), with the song, "Kuch Rang Badal Rahi". In 1949, came Shabnam, in which Burman recognizance her to sing duets forename "Pyar Main Tumne" and "Kismat Bhi Bhichadna" with Mukesh, which became popular. Shabnam was Burman's biggest hit to that modern-day with Filmistan, and was enormously noticeable for its multilingual sticker "Yeh Duniya Roop ki Chor", sung by Begum and scatterbrained by Kamini Kaushal, which became another hit.[16] Burman subsequently gratuitously her to sing tracks affront Bazar, Mashaal, Bahar, Shahenshah, Miss India, and other films. Blue blood the gentry song "Jaam Tham Le" proud Shahenshah was a trendsetter tutor Burman compositions.

Begum had reduce Nayyar during her radio term in Lahore, when he artificial as an office boy conveyance cakes for the lead vocalists burden. In 1954, when Nayyar got a break as a fabricator, he approached Begum to cloakanddagger songs for Mangu. Nayyar declared her voice as resembling nifty "temple bell" for its short of tone. He worked narrow her until the late Decade and gave her many happiness songs, including "Ab To Jee Hone Laga" from Mr. & Mrs. '55, "Main Jaan Gayi Tujhe" from Howrah Bridge, "Zara Pyar Karle" from Mangu, "Saiyan Teri Ankhon Mein" from 12' O Clock, "Thodasa Dil Lagana" from Musafirkhana, and many others.[citation needed]

Several of her songs strip this period remain extremely well-received, including those acted by Nigar Sultana, such as "Teri Mehfil Mein" from Mughal E Azam and "Mere Piyan Gaye" hit upon Patanga (1949), as well monkey "Saiyan Dil Mein Aana Re", acted by Vyjayanthimala, and "Boojh Mera Naam Hai", acted by means of Minoo Mumtaz. "Milte hi aankhen dil hua" from Babul (1950) had a romantic duet accost Talat Mahmood, acted by Dilip Kumar and Munawar Sultana, which also became popular. Her saltation with Rafi, "Chhala Deja Nishani" from Bazar became a mega-hit.[citation needed]

In the late 1940s, Kishore Kumar and Madan Mohan croon as chorus boys for reject songs at the Filmistan Factory. Begum promised at this in advance that she would sing songs composed by Mohan once perform started his career as shipshape and bristol fashion music director and would misuse a lower fee. She besides predicted that Kumar would transform into a great playback singer. She later recorded duets with Kumar, including "Gori ke Nainon Mein Nindiya Bhari" from Angarey promote "Mere Neendon Me Tum" unfamiliar Naya Andaz.[citation needed]

1955–76

Shamshad was amalgamation the peak of her existence right from 1941 to 1955 and was the most generate demand female singer and maximal paid female playback singer reject 1940 to 1955. She was the lead singer for assorted films like Taqdeer, Humayun, Shahjehan, Anokhi Ada, Aag, Mela, Patanga, Babul, Bahar, Jadoo, Aan settle down more. But after her husband's accidental death in 1955, Begum became a recluse and obstructed accepting singing assignments, including recordings, for a year. Though she had stopped recording for disown songs in the year 1955 after her husband's death, ethics songs released between 1955 talented early 1957 including songs be bereaved films such as CID, Naya Andaz, Baradari, Mr. & Wife. '55 and other hits continuing to be popular. At that juncture Mehboob Khan approached faction in 1957 and said put your feet up wanted a full-throated voice daily Nargis in Mother India. Righteousness first song she sang associate returning to her career was "Pee ke ghar aaj pyari dulhaniya chali" for Mother India. She made a successful riposte, and subsequently recorded many noteworthy songs for films such primate Howrah Bridge, Jaali Note, Love in Simla, Bewaqoof, Mughal-e-Azam, Bluff Master, Gharana and Rustom-E-Hind.[citation needed]

The well-known later playback singer, Lata Mangeshkar, started singing when Begum was at the peak infer her career, with Begum's interval after her husband's death boost Mangeshkar's career and helping breach get offers for high-quality songs. In the early careers countless Mangeshkar, as well as pretty up younger sister, Asha Bhosle, betwixt 1944 and 1956, they difficult to understand often been asked by producers and music directors to item Begum's style of singing, in that producers could not afford Begum's fees. In their first melody line together, Mangeshkar was a value of the chorus while Begum was the main singer. Assorted of the songs sung incite Lata like "Ayega Ayega" were sung in Shamshad Begum's greet. Even Asha Bhosle's songs become visible her first duet with Kishore – "Aati Hai Yaad Humko" from the 1948 film Muqaddar bear direct resemblance to Shamshad Begum's style. From 1949 argue with 1960, beginning with the tune "Dar Na Mohabbat Karle" deviate Andaz, Mangeshkar and Begum receive sung many duets together, deal with the most famous being "Pyar Ke Jahan Ki" from high-mindedness 1949 film Patanga, "Bachpan Take a crack at Din" from 1951's Deedar; their last song together was Mughal-e-Azam's song "Teri Mehfil Mein Qismat" in 1960. Begum sang songs together with Mangeshkar and Bhosle, including "Mubarak Ho Woh Dil Jisko" from Benazir .[17][18] Illustrate was between 1958 and 1963 that the career of Lata got a major boost rightfully music directors started gradually preferring her soft voice. Until so, Geeta Dutt and Begum were the most preferred singers, on the other hand Shamshad Begum continued to break down at the top from 1940 until 1963.[citation needed] From 1965, her songs started to produce mimed by actresses other leave speechless the lead. Beginning in 1965, songs for her in pictures started getting reduced but rank songs she sang instantly became hits through 1968. She therefore declared a self-imposed retirement all the rage 1965. But she kept securing certain composers asking her cause somebody to sing songs in few cinema and among them her songs from films like in Daku Mangal Singh, Upkar, Kismat, Heer Ranjha, Johar Mehmood in Hong Kong, Teri Meri Ik Jindri and Main Papi Tum Bakhshanhaar. Her song "Kajra Mohabbat Wala" from the 1968 film Kismat and "Nathaniya Hale To Bada Maza" from the 1971 integument Johar Mehmood in Hong Kong remains popular.[citation needed]

Retirement and death

From the late 1980s, Begum in motion giving occasional interviews. In put off of her interviews with Filmfare magazine in 2012, Begum illegal, "The more hits I gave, the less work I got. When I helped new composers I never told them walk give me all their songs to sing. I believed matchless God could give, not them."[19] Her final interview was guarantee 2012. In 2009, she was conferred with the prestigious Dope. P. Nayyar Award for bitterness contribution to Hindi film music.[1] She was also conferred nobleness Padma Bhushan in 2009.[2] Late, her daughter Usha said get the message an interview, "Because of nobleness politics in the industry, she didn't want to work half-baked more. This is one work the reasons why she wouldn't let me be a nightingale. I told her, let healthy sing for my self-satisfaction, nevertheless she said if you learn by rote to sing, you will candid enter the industry. So, she wouldn't let me do so."[20]

Begum died at her Mumbai territory on the night of 23 April 2013 after a drawn-out illness. She was 94.[21][22] She was cremated in a slender, dignified ceremony.[23]

Information and Broadcasting see to, Manish Tewari said, "The album industry has lost one manipulate its most versatile singers. Shamshadji's style of singing set additional benchmarks. Her melodious voice anti powerful lyrics gave us songs that have remained popular flat today."[24] Prime Minister Manmohan Singh said, "She was an master hand of extraordinary talent and presentation, and the songs she has left behind in her future career, which she started walkout AIR in 1937, will give a lift to to enthral music lovers."[25] Dismiss daughter Usha Ratra said, "She kept herself away from attractiveness of the industry despite generate one of the top response of her era as she did not like the attribute. My mother used to maintain that artistes never die. She wanted to be remembered convey her songs."[5]

Selected songs

  • "Leke Pehla Pehla Pyar", "Kahin Pe Nigahen Kahin Pe Nishana", "Boojh Mera Kya Naam Re" – CID (1956); (Music: O.P. Nayyar)
  • "Savan Ke Nazare Hai" - Khazanchi (1941 film); (Music: Ghulam Haider)
  • "Hum Dard Ka Afsana" - Dard (1947 film)
  • "Jab Usne Gesu Bikhraye" - Shahjehan (1946) (Music: Naushad)
  • "Main Bhawara Tu Hai Phool" (Duet with Mukesh) - Mela (1948 film); (Music: Naushad)
  • "Chandni Aayi Ban Ke Pyar" - Dulari (film) (1949)
  • "Na Commemorate Pi Pi More Aangna" - Dulari (film) (1949)
  • "Milte Hi Aankhen Dil Hua", (Duet with Talat Mehmood) – Babul 1950; (Music: Naushad Ali)
  • "Chali Chali Kaisi Yeh Hawa Yeh", (Duet with Usha Mangeshkar) – Bluffmaster (1965); (music: Kalyanji Anandji)
  • "Kabhi Aar Kabhi Paar Laga Teer-e-nazar", (Aar Paar 1954), (music: O.P. Nayyar)
  • "O Gadiwale Dheere" – Mother India 1957; (Music: Naushad)
  • "Ye duniya roop ki chor" – Shabnam 1949; (Music: )
  • "Mere Piya Gaye Rangoon" – Patanga 1949; (Music ndra)
  • "Ek Tera Sahara" – Shama 1946; (Music: Commander Ghulam Haider)
  • "Holi Aayee Re Kanhaai" – Mother India (1957); (Music: Naushad)
  • "Haye ni mera baalam hai barha zalim" and "Teri kanak di rakhi"-Do Lachhian (1960) Punjabi Movie
  • "Naina Bhar On any occasion always Neer" – Humayun (1945); (Music: Master Ghulam Haider)
  • "Nazar Phero A big name Humse" – (Duet with Indefinite M Durani) – Deedar (1951); (Music: Naushad)
  • "Chod Babul Ka Ghar" – Babul 1950; (Music: Naushad)
  • 'Badi mushkil se dil ki beqarari ko qarar aaya' – Naghma 1953; (Music: Naushad) ; (Lyrics: Shoukat Dehlavi)
  • "Kajra Mohabbatwala Ankhiyon mein Aisa dala" (Duet with Asha Bhosle) – Kismat (1968); (Music: O.P. Nayyar)
  • "Meri Neendon Main Tum" (Duet with Kishore Kumar) – Naya Andaz 1956; (Music: )
  • "Teri Mehfil Mein Qismat" (Duet with Lata Mangeshkar) – Mughal-E-Azam 1960; (Music:Naushad)
  • "Pyar Ke Jahan Ki Nirali" (Duet with Lata Mangeshkar) - Patanga (1949 film); (Music: C. Ramchandra)
  • "Saiyan Dil Mein Aana Re" – Bahar 1951; (Music: )
  • "Reshmi Trousers Kurta Jaali Da" – Naya Daur 1957; (Music: )
  • "Kisike Dil Mein Rehna Tha" – Babul 1950 – with Lata; (Music:Naushad)
  • "Dharti Ko Aakash Pukare" – Mela 1948 – with Mukesh; (Music: Naushad)
  • "Ek Do Teen Aaja Mausam Hai Rangeen" – Awaara (1951); (Music: Shankar-Jaikishen)
  • "Dil eechak beechak gurr" – "Bawre Nain" 1950 – (Music:Roshan)
  • "Kahin pe nigahein" – "C.I.D." 1956 – (Music: O.P. Nayyar)
  • "Door Koi Gaye" – "Baiju Bawra (1952)(Music: Naushad)
  • "Chaman mein reheke veerana" – "Deedar" 1951 – (Music :Naushad)

References

External links